![]() ![]() The latest update for DaVinci Resolve has also been a godsend,” he said. “Using DaVinci Resolve as the hub for everything has meant we’ve had a fantastic workflow and overall experience. Blackmagic Design hardware and software meant he was able to execute a delicate dance of foreground lighting, real time CGI, high ISO and some innovative use of DaVinci Resolve Studio to pull off the shots.ĭrummond, who has worked in VFX for over 25 years, was also able to cut more than 300 days in post production for the film. The real time projection system gave the lead actors (aged 9 and 12) more direction for interacting with other characters within the fantasy world of the film.ĭespite a tiny crew of just seven people and a small budget, the Pocket Cinema Cameras allowed Drummond to utilize a real time projection system for his filming. To control the light spill for the system, he used Pocket Cinema Cameras to shoot at a higher ISO, which allowed him to reduce light output and still get beautiful shots. With the system, the first of its kind globally, he was able to dramatically improve VFX realism by copying the way light reflects and refracts in the real world. ![]() ![]() In creating the film, Drummond replicated a real time ray tracing system by using ultra short throw projectors and ambient light rejecting screens. The family adventure film, which was shot in Sydney and recently screened at the Cannes Film Market, is the third film by Sydney filmmaker Matt Drummond who used Fusion Studio visual effects (VFX) and motion graphics software and DaVinci Resolve Studio editing, color grading, VFX and audio post production software to complete the film.ĭon’t Go Below tells the story of 12 year old Peter and his sister Verity, who are whisked off to the underground kingdom of the pangolins where a prophecy has declared that Peter is the king and he must go on a quest to save the realm from the mysterious Shroud. ![]()
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